The Centre as Margin: Eccentric Perspectives on Art (Series on the History of Art)
The Centre as Margin. Eccentric Perspectives on Art is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, from medieval to contemporary art.
Resulting from recent research developed from the privileged viewpoint offered by the margin, this volume brings together the contributions of young researchers along with the work of career scholars. Likewise, it does not obey a traditional or a rigid diachronic structure, being rather organized in three major parts that organically articulate the different essays. Within each of these parts in which the book is divided, papers are sometimes organized according to their timeframes, providing the reader with an encompassing (though not encyclopedic) overview of the common ground over which the various artistic disciplines build their methodological, theoretical, and thematic centers and margins. The intended eccentricity of this volume - and the original essays herein presented - should provide researchers, scholars, students, artists, curators, and the general reader interested in art with a refreshing approach to its various scientific strands.
Publisher: Vernon Press
Published: United States, 7 September 2018
Format: Hardback, 362 pages
Dimensions: 2.4 x 15.7 x 15.7 centimeters (0.64 kg)
Writer: Joana Antunes
About the AuthorJoana Antunes is an Assistant Professor at the Faculty of Arts and Humanities of the University of Coimbra, and an integrated researcher of the Multidisciplinary Art Studies Group (GEMA) at the Research Centre in Archeology, Arts and Heritage Sciences of the University of Coimbra (CEAACP). Specialized in Art History, with a particular focus on late medieval and early modern iconology, liminality and marginalia, her PhD thesis was dedicated to The Limit of the Margin in Portuguese Art (14th to 16th centuries). With several papers presented and published in Portuguese and English, her interests meet the multi-epochal, interartistic dialogue within the broad framework of Art History and Visual Studies. Maria de Lurdes Craveiro is a Professor in the Art History Institute of the Faculty of Arts and Humanities at the University of Coimbra (FLUC), Portugal. She is also the principal researcher in the Group in Multidisciplinary Studies in Art (GEMA), at the Center for Archeology, Arts and Heritage Sciences, Unit I&D-281, of the Foundation of Science and Technology. In collaboration with multiple organizations, she has had a prominent action in the defense, conservation and dissemination of architectural heritage. In this context, and within the scope of Art History, she was part of diverse safeguarding projects and campaigns of several patrimonial structures. With more than fifty scientific papers published in Portugal, Spain, Belgium and Brazil, her work covers the exercise of conceptual revision in Art History, the heritage sciences, as well as the fields of painting, sculpture and architecture from the late Middle Ages to the neoclassical period. Carla Alexandra Goncalves has been a full-time Professor in the Department of Social Sciences and Management at the Open University since 1999. She concluded her PhD at the University of Coimbra in February 2006 with the thesis Sculptors and sculpture in Coimbra, a journey beyond the Renaissance. Between 1999 and 2006 she was part of the Center for Interdisciplinary Historical Studies of the Open University. She is a researcher in the Center for Studies in Archeology, Arts and Heritage Sciences at the University of Coimbra, I&D unit no. 281, a member of the Group of Multidisciplinary Studies in Art since 2007, and a member of the Portuguese Association of Art Historians. She is the author of several books, articles and other papers within her areas of interest: sculpture from the fifteenth and sixteenth centuries; Studies on the Body; Visual Anthropology; Psychology of Art; Phenomenology of Perception; Sociology of Art.